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Measure Not the Work

At its best New Wave/punk represents a fundamental and age-old Utopian dream: that if you give people the license to be as outrageous as they want in absolutely any fashion they can dream up, they'll be creative about it, and do something good besides.
-- Lester Bangs

Monday, May 19, 1997

Back at work. I usually try to keep myself on an early schedule, although it certainly isn't natural to me. It's much better for traffic, easier to find parking at my job, and if I do need to work late, I'd rather tack extra work on at the end and still leave at a reasonable time than stay till all hours.

My sister has asked A---- and I to select a few festival movies for her to see. With two children, it's more of an undertaking for her to get out. I know her taste, but it's still a responsibility. No French movies with people talking and talking and talking...., I know she isn't fond of those. But picking from the catalog when I haven't seen the films is tough!

Tonight A---, R--- and I had already decided to opt out of the Bernard Tavernier tribute, so I was waiting in the pass-holder's line at the Broadway Performance Hall when all the jet-setters and celebs came drifting out of the reception they had held there and made their way to the Egyptian. Would I have pegged them as foreign if I hadn't heard them speaking? Maybe. Most of them were more formally dressed than is usual in Seattle.

Movies seen tonight:

  • Hard Core Logo
    A "mockumentary" about a fictional punk band, on the road after a five-year split. Very funny, with some darker moments. Hugh Dillon, as the lead singer, is excellent! Canadian.
  • Fear and Learning at Hoover Elementary
    This and "Out at Work" were both one-hour documentaries, and the first movies I have been to this year where the filmmakers were present. Fear and Learning was made by an elementary school teacher in Los Angeles, in reaction to Proposition 187, which will deny schooling and medical services to illegal immigrant children. I was astounded at the candor of one Anglo teacher, who allowed herself to say things that many people wouldn't even admit to themselves. Director Laura Angelica Simon did a good job at presenting the complexity of the neighborhood and the school.
  • Out at Work
    Made over the course of four or five years because the filmmaker kept running out of money, this examines different workplace issues faced by gays and lesbians. The only stories that had a successful outcome were those where the workers were unionized. (Remind me to talk about my union experiences soon.) Great characterization of the people profiled.
  • Tomorrow, the Cacophony meeting!

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