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Harvest of Sweetness

I do not believe I am exaggerating in affirming that the empire of Russia is a country whose inhabitants are the most miserable on earth, because they suffer at one and the same time the evils of barbarism and of civilization.
-- the Marquis de Custine, 1843

Tuesday, May 27, 1997

Back to work after a three-day weekend. It seems strange to say it, but I like showering at work. There are locker room facilities in each group of buildings on campus, usually accessed through the parking garage. After all, at home I don't have a large, walk-in, tile-lined, hand-held shower, with all the clean towels I could use, and unlimited hot water! So I like getting up, driving to work, and performing my ablutions there.

I get a kick out of being Miss Helpful. I was joined at lunch by one of the receptionists in my building, and when I asked him if he was online at home, he said he had just gotten online the night before. When I asked if he had plans for web pages, he said he thought his provider didn't grant subscribers disk space for that, and when he named the ISP I realized that he was right. So I was able to tell him about Geocities, and others of that ilk, that grant you a certain amount of web space for free!

Then off to the festival! One of these years I want to take some extra time off during the festival, because they have press screenings during the day that full-series subscribers can go to. This really lets you increase the number of movies seen. But it seems like I am always at the wrong end of the product cycle for that to happen.

Both films tonight were part of the New Directors Showcase.

  • The Cherry Pick
    From the Netherlands, directed by Arno Kranenborg. One of those "tender story of a young boy coming of age" films. Some years half the festival entries seem to be of that type. This is a good one, though! In tone and pace it reminded me of In the Company of Women, a Canadian film from a few years ago about some elderly women stranded overnight at a house in the country. The Cherry Pick had different material, but the images were held in a similar way, and the quiet of the countryside sank into my brain. Recommended.
  • Bolshe Vita
    Hungarian, directed by Ibolya Fekete. A bunch of folks cross paths in Budapest, right after the fall of Communism. I really liked the actors in this, especially Yuri Fomichev as a traveling musician. Every once in a while one of the characters will just turn to the camera and deliver a line, which is surprising, but didn't throw me out of the movie. The print was really beat up, and I don't think I've seen a show yet at the Broadway Performance Hall where the reel changes were framed up properly, or the film wasn't backwards in the projector, or something! Fekete made good use of actual footage of the events of 1989 and 1990, mixing up the look of his own footage to blend in the reality. At least I guess that's why the look of the film varies from "shot on video" to perfectly normal.
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